Tobias Pontara University of Gothenburg - Academia.edu
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Skickas inom 10-15 vardagar. Köp Andrei Tarkovsky's Sounding Cinema av Tobias Pontara på Bokus.com. Projektet har hittills resulterat i tre vetenskapliga artiklar samt monigrafin Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice He is currently working on a monograph examining the role and significance of music and sound in the Russian director Andrei Tarkovsky's films. Pontara is also Pontara is currently working on a monograph examining the role and significance of music and sound in the Russian director Andrei Tarkovsky's films.
Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the Andrei Tarkovsky's Musical Offering: The Law of Quotation By Julia Shpinitskaya Solaris by A.Tarkovsky: Music-Visual Troping, Paradigmatism, Cognitive Stereoscopy With luscious film stills and superb essays by the director and his admirers, this is the essential Tarkovsky compendium. Between 1962 and 1986, Andrey Tarkovsky (1932–86) directed seven feature-length films, all acclaimed as masterpieces of cinema: Ivan's Childhood, Andrei Rublev, Solaris, Mirror, Stalker, Nostalgia and Sacrifice.Evading censorship and mounting pressure by Soviet Johanna Ethnersson Pontara Abstract The topic of this article is the intersection between media genres in 1960s Sweden. In a case study of Ingmar Bergman’s Hour of the Wolf (1968) it is shown how the music contributes to intermedial qualities through the film’s connection with opera. It is argued that Booms, bells and distant voices: The ambiguity of sound: Tarkovsky and beyond. National Film and Television School. Beaconsfield, Buckinghamshire, UK; Pontara, T. (2019). Andrei Tarkovsky’s sounding cinema: Music and meaning from Solaris to The Sacrifice (1st ed.).
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The distinction between diegetic and non-diegetic music is fundamental to film musicology. It is also a distinction that has been much debated, as evidenced in recent discussions by, among others, Jeff Smith, David Neumeyer, Giorgio Biancorosso, Ben Winters, and Guido Heldt. A frequently recurring theme in these discussions has been Robin Stilwell’s notion of ‘the fantastical gap’, that Tobias Pontara.
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Glagoslav Publications Ltd. ISBN 978-1782671022. Pontara, Tobias (2019). Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice (Music and Sound on the International Screen). Routledge. ISBN 978-0367277291
Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works.
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Life was moving at a neo-medieval pace, and the aesthetic of slowness Book Cover of Tobias Pontara - Andrei Tarkovsky's Sounding Cinema: Music of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the 3 Sep 2016 Tobias Pontara (University of Gothenburg), 'Classical music in the Pontara concentrates on Andrei Tarkovsky's use of Western art music, Pontara's research interests lie at the intersection between cultural studies, philosophical aesthetics, and film music studies.
PONTARA , MARCELA NO (5). POOLE , SUSIE (5).
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Tobias Pontara is the author of Andrei Tarkovsky's Sounding Cinema (4.00 avg rating, 1 rating, 0 reviews) Details for: Andrei Tarkovsky's sounding cinema : 9780367277291 0367277298 music and meaning from Solaris to The Sacrifice / Normal view MARC view ISBD view Andrei Tarkovsky's sounding cinema : music and meaning from Solaris to The Sacrifice / Tobias Pontara. Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films.